STONE - LONG TIME OBSERVATION
Cycle Stone, #212, Fraser Island, AUS, 2017 Cycle Stone, #211, Fraser Island, AUS, 2017 Cycle Stone, #398, Breidafjoerdur, ISL, 2014 Cycle Stone, #388, Breidafjoerdur, ISL, 2014 Cycle Stone, #257, Breidafjoerdur, ISL, 2014 Cycle Stone, #185, Breidafjoerdur, ISL, 2014 Cycle Stone, Caldera #347, Thrihnukagigur, ISL, 2014 Cycle Stone, Ey #330,Thrihnukagigur, ISL, 2014 Cycle Stone, #205, Fraser Island, AUS, 2017 Cycle Stone, #303, Djupalonssandur, ISL, 2014 Cycle Stone, #334, Vanaheimr Tröllahellir, ISL, 2014 Cycle Stone, #304, Djupalonssandur, ISL, 2014 Cycle Stone, Balanced, Aldeyjarfoss, ISL, 2006 Cycle Stone, #241, Nambucca Heads, AUS, 2017 Cycle Stone, #226, Nambucca Heads, AUS, 2017 Cycle Stone, #207, Fraser Island, AUS, 2017 Cycle Stone, #206, Fraser Island, AUS, 2017 Cycle Stone, #208, Fraser Island, AUS, 2017 Cycle Stone, #214, Cape Hillsborough, AUS, 2017 Cycle Stone, #216, Cape Hillsborough, AUS, 2017 Cycle Stone, #235, Cape Hillsborough, AUS, 2017 Cycle Stone, Raven, White Desert, EGY, 2005 Cycle Stone, Elephants Journey, White Desert, EGY, 2005 Cycle Stone, Streambed, Canyon X, Navajo NR, USA, 2005 Cycle Stone, Sky, Canyon X, Navajo NR, USA, 2005 Cycle Stone, Thunder, Lauterbrunnen, CH, 2004
THE INVISIBLE ESSENCE
Andreas Staeger: »With his photographic work Nicolaisen seeks to detect hidden artifacts and provide them with a platform. Reality is richly expanded, however, at first glance, nothing is obvious. His images encourage a second, more considered glance, scattered light serving as the main instrument of attraction. In his photographic work, Nicolaisen sees himself as an intensifier who connects two poles; the creative process of interpretation and optical processing applied to the permanence of the object: unspoiled nature, often in the form of ice.«