Musée jurassien des Arts, Rhythm of the heart, 2008, Haze, 2008, Dragon, 2007, 2024, ISL, CH
Musée jurassien des Arts, Rhythm of the heart, 2008, Haze, 2008, Dragon, 2007, 2024, ISL, CH
In collaboration with Adam Lowe and the Factum Arte team, he reinterpreted the negatives in Gesso aluminium prints and on 3D Alabaster aluminium and black ink.
The inversion of the tonal values can also stand for itself and does so quite consciously in this series.
Removed from reality by at least one degree, the images from Inside Out – White Mountains open up new worlds and other times.
Process: Data from 8x10 Inch negative, transformed into 3D.
Numerically controlled milled alabaster adhered to an aluminium distribution plate with a rear hanging clip.
The stone surface is dyed with black ink to obtain the grey scale and does not have any protective treatment. By Factum Arte Madrid, 2022
Musée jurassien des Arts, Pilgrim, ISL, CH, 2016, 2018
Musée jurassien des Arts, Pilgrim, ISL, CH, 2016, 2018
Details:
3D Océ elevated print in resin on aluminium, 150 x 120 x 5 cm
Materials:
print in resin, on aluminium by Factum Arte, Madrid
Exhibitions:
Solo Exhibition, «Restlicht», Krypta Grossmünster, Zürich, CH, 10.7. - 21.8.2015
Solo Exhibition, «Restlicht», Museum Gletschergarten, Luzern, CH, 11.5.2016 - 5.3.2017
Solo Exhibition, «Restlicht», Chefinvest, Limmatquai 1, Zürich, CH, 20.3. 2017 - 31.3.2018
Exhibition, Musée jurassien des Arts, Moutier, CH, 17.3. - 26.5.2024
Musée jurassien des Arts, Translucence, 2016, Stranded, 2016, ISL, CH, 2024
Musée jurassien des Arts, Translucence, 2016, Stranded, 2016, ISL, CH, 2024
Details:
Archival pigment print, 167 x 137 x 5,2 cm
Materials:
Archival pigment print, mounted on a Tableaux-System, dibond, wood
Exhibitions:
Solo Exhibition, «Restlicht», Krypta Grossmünster, Zürich, CH, 10.7. - 21.8.2015
Solo Exhibition, «Restlicht», Museum Gletschergarten, Luzern, CH, 11.5.2016 - 5.3.2017
Solo Exhibition, «Restlicht», Chefinvest, Limmatquai 1, Zürich, CH, 20.3. 2017 - 31.3.2018
Exhibition, Musée jurassien des Arts, Moutier, CH, 17.3. - 26.5.2024
Musée jurassien des Arts, Bergelmir 2016, 2018 - Black Pearl, 2008, 2016, ISL, CH, 2024
Musée jurassien des Arts, Bergelmir 2016, 2018 - Black Pearl, 2008, 2016, ISL, CH, 2024
Details:
Archival pigment print, 167 x 137 x 5,2 cm
Materials:
Archival pigment print, mounted on a Tableaux-System, dibond, wood
Exhibitions:
Solo Exhibition, «Restlicht», Museum Gletschergarten, Luzern, CH, 11.5.2016 - 5.3.2017
Solo Exhibition, «Restlicht», Chefinvest, Limmatquai 1, Zürich, CH, 20.3. 2017 - 31.3.2018
Exhibition, Musée jurassien des Arts, Moutier, CH, 17.3. - 26.5.2024
Musée jurassien des Arts, Strata of Pilbara Lightbox, AUS, CH, 2019, 2024
Musée jurassien des Arts, Strata of Pilbara Lightbox, AUS, CH, 2019, 2024
Depths of the earth
The Stratagram combines aspects of painting and photography and aims to
materially visualize the complex elements and processes that take place in the
depths of the earth.
This chemical image on glass plates, consists of water, oxides, methanol,
copper, gold and silver pigments, local earths and powders from the drilling at the
North Pole Dome in the Pilbara, an area which covers the Earth’s oldest rock formations.
The Strata of Pilbara Lightbox was created with 6 different stratagram glass plates in collaboration with Adam Lowe and the Factum Arte-Team.
To see more about the project watch the documentary "Strata of Pilbara" with Daniel Blochwitz and Adam Lowe. A film by Cédric Marville.
Strata of Pilbara Lightbox, 2022
North Pole Dom, Pilbara, Australia
Stratagrams: 421, 410, 415, 422, 425, 419
Materials: glass, illuminated aluminum box, 51 x 41.5 x 26 cm
Musée jurassien des Arts, Rhythm of the heart, Haze, 2008, Dragon, 2007, ISL, CH, 2024
Musée jurassien des Arts, Rhythm of the heart, Haze, 2008, Dragon, 2007, ISL, CH, 2024
Details:
Alabaster, aluminium and black ink
100 x 80 x 4 cm, 30 kg
Process:
Data from 8x10 Inch negative, transformed into 3D.
Numerically controlled milled alabaster adhered to an aluminium distribution plate with a rear hanging clip.
The stone surface is dyed with black ink to obtain the grey scale and does not have any protective treatment.
By Factum Arte Madrid, 2022